Tag Archives: Eastman School of Music

That Which Doesn’t Kill the Kid

No one saves us but ourselves. No one can and no one may. We ourselves must walk the path. ~The Buddha

That which does not kill us makes us stronger. ~Friedrich Nietzsche

Hoping to nap for fifteen minutes in the middle of an afternoon in late March, my eyes snapped open at the sound of the bedroom door smacking into the wall. Hugo had flung it open and was bouncing towards me with his arms and legs bending and twirling at every joint like Ray Bolger as the Scarecrow.

“Guess who got into Eastman?” he asked, his voice pitched high and squeezed, nothing like the resonant baritone he’d advertised to several colleges during winter auditions.

“What?” I asked as I sat up in the middle of my bed.

“My phone just rang and it said ‘unknown’ so I almost didn’t answer it, but it was the admissions director and, ohmygodohmygod! I’ve been accepted to Eastman!” I leapt out of bed, embraced Hugo, who picked me up and twirled me around before we began bouncing up and down while spinning round and round.

“What about the money?” I asked when we stopped moving.

“They’ll send me an email with my financial aid package in a couple of days and so will the University of Rochester because I registered for a dual degree, but I can’t combine the packages.” At the time, neither of us really understood what this meant, nor did we care. The Eastman School of Music accepted Hugo, O-M-freakin-G!

Okay, so until last October, I’d never heard of The Eastman School of Music because, frankly, I know squat about preparing a professional musician. “Eastman is the Harvard or Yale of the music world,” the artistic director of an arts performance organization in the Cleveland area told me. I cannot imagine the scenario in which I would encourage one of my children to apply as an undergraduate to an Ivy League school, institutions of learning that were solidly branded before PR firms existed to encourage branding, because there are plenty of fine colleges without the high cost and pressure of an Ivy. As for the top-tier music schools, repeatedly Hugo and I have heard that these places give their undergraduates limited time with, and little attention from, faculty. In other words, they charge a premium price to receive training from a graduate students. Except, however, at Eastman. Still, given all the hoopla about Eastman, we had low expectations when we drove to Rochester for his audition on a snowy day in January. Then, within an hour after arriving, we just knew: Eastman is where Hugo belongs.

Well, Maybe

Then that proverbial other shoe dropped. Eastman offered Hugo a generous financial aid package of $41,000 a year. It costs $65,000 a year. “Hugo, I cannot advise you to take out nearly $100,000 in private loans for any degree, but particularly a degree in music.” The other offers had also come in—two universities offered Hugo a full ride, ironically both my alma mater, Ohio State University, and his bio-dad’s alma mater, Miami University of Ohio. Two other schools, Baldwin Wallace and Capital University, offered him packages that would have cost only $2,000 a year. Capital University in particular made it very clear that they wanted Hugo in their program. Being wanted feels good, and Capital has strong faculty and a well-regarded music education program. Then, in April, when competing at the National Association of Teachers of Singers, which is open to both high school and college-level students, Hugo observed a camaraderie among the Capital students that is not necessarily commonplace among vocal performance students.

“I’m okay with going to Capital, in fact, the idea of it makes me happy,” he told me sometime during the week before May 1, the national deadline to commit to a college or university.

Money, Money, Money

Lynne Twist, a co-founder of the Hunger Project, an organization with the lofty mission of eradicating world hunger, wrote in the The Soul of Money that money is like water—we need it to live, but it must flow. If we do not allow it to flow, it becomes like a stagnant pool. But more importantly, Twist encourages aligning finances with values and recognizing the falsity of what she calls “the myths of scarcity,” which are: 1) There is never enough; 2) More is better; and 3) That’s just the way it is.

Looking back, my basic needs have been met throughout my life. From time to time and by necessity, expenses are problems that need creative solutions. My belief that my needs will be met through hard work and creativity was never so challenged as when I left my ex-husband. Throughout our marriage, he had discouraged me, both directly and through subterfuge, from pursuing a career (even telling me in the months before I left him that he feared I would meet someone else should I become gainfully employed). When he quickly withheld money after I had told him I wanted to separate, I applied for food stamps and Medicaid. I cleaned houses with a friend and took out student loans while finishing my MFA. Times were lean, but my boys and I were fine. In the second year of our long divorce when my ex-husband refused to contribute ever again to Jules’ education, the Waldorf school provided financial aid for his tuition and his tutor for his dyslexia reduced her fees. As their father believes the child support garnished by the state from his paycheck is his contribution towards the boys’ college education, a belief he has steadfastly held and often reiterated, Claude received a non-custodial parental waiver for the purposes of calculating financial aid at his college and receives, based upon my income, the highest need-based package available.

My mother’s constant refrain when I was growing up was, “We don’t have enough money.” Yet we always lived in nice, if not expensive, houses bought in public school districts with good reputations. We had newer cars, plenty of food and clothing. Though not deluxe, and often combined with work-related conventions, there were vacations. “I don’t know how I’ll pay the bills,” said my mother each time a paycheck arrived. Perhaps a function of her generation more than her obsession with control, I was forbidden from looking at any bills and, therefore, had no sense of what it cost to run a household. Of all the things that made me anxious as a child, worrying about how the bills would get paid was not high on my list but her continual cries of the wolf at the door added warp and weft to an already stifling pall of stress.

I wanted something different for my children. When each has turned three, I gave them jobs and money. For years I deposited their weekly allowance, determined at the rate of a dollar for each year of their age, into their bank accounts. By the time they were ten years old, Claude and Hugo had saved enough to purchase a $500 certificate of deposit. And when they turn 13, I show them my online checking account statements. “Here’s the deposit, and here are the expenses,” I explain as we scroll line-by-line through two months of entries. I’d like to say all this has made my kids equally thrifty, but personality is a powerful determiner of behavior. Claude and Jules, who may as well be identical twins born six years apart, sit on enviable nest eggs. While not skinflints, they use their money for purchases that are considered. Hugo, on the other hand, better make a ton of money. Magnanimous by nature, he spends whatever cash he has rapidly and generously. As a result, he’s usually broke. Sometimes when he’s in a financial pinch, he’ll throw his guitar on his back and head to a bustling area to busk, playing guitar and singing so passersby will toss cash into his open guitar case. It works. For now.

Walk the Talk: Turning Over Every Rock

I wrote the Eastman School of Music and asked for more money. They upped Hugo’s financial aid package to $45,000. While generous and far more than the full cost of all the other colleges to which Hugo had applied, it was not enough, even if Hugo won every private scholarship for which he has applied this spring. That’s when Hugo determined that his number two choice, Capital University, was more than fine. But also we investigated the University of Rochester’s package, learning two important things. First off, the UR paperwork mistakenly had listed Hugo as not interested in financial aid and to correct that error, I spent two days filling out and emailing documents needed to process Hugo’s financial aid application for UR. It was like doing my taxes five times over. What we also learned was the reason Hugo was listed as a dual degree is because on his application he wrote that he wanted to pursue a bachelor of arts degree, or BA. We did not know at the time that the degree the Eastman School of Music gives vocal performance majors is a bachelor of music, or BM. (Remember when I said I know squat about preparing a professional musician?) At 3pm on April 29, we learned that Hugo’s UR financial aid package requires us to cough up only $6275 a year. However, it also requires Hugo to enroll as a dual-degree major—vocal performance and something from the University of Rochester, like history or English.

It was no slam dunk and we had 48 hours to make a decision.

The Challenge of Talent

I practice because I think I’m making progress. ~Cellist Pablo Casals at age 90

More than any other person or topic, Whoopsie Piggle essays are frequently about our daughter, Lyra, and how her dual diagnoses of Down syndrome and bilateral cataracts have and have not effected who she is, repeatedly underscoring that Lyra is not the syndrome she has nor is Down syndrome an illness. She is fully human and deserves the same rights and privileges as all other humans. But her Down syndrome and vision impairment undeniably influence her identity. And for both diagnoses, Lyra has teams of professionals, including doctors and private therapists who work with her at Akron Children’s Hospital and state-employed therapists who visit her at our home. Beginning next fall, Lyra will have a new team of therapists working with her at an integrated public preschool. I also have a local support group, a national Facebook support group, aggregated by the age of our children with Down syndrome, and Max and I attend the annual National Down Syndrome Congress’s convention. If I have a problem or question regarding Lyra or her Down syndrome, I have multiple resources at my disposal.

IMG_2563Undeniably, the second member of our cast of characters about whom I most write is Hugo. He is simply the hardest child I have had to raise primarily because he is someone who excels easily. And for that there are no squadrons of professionals to help guide my parenting. Hugo the second born who, unlike his first and third-born brothers, has encountered but one significant challenge in his life: simply himself. Claude and Jules, both dyslexic, required years of remediation to learn to read. Hugo picked it up in the first weeks of the first grade. Claude and Jules struggled with the coordination to play baseball, while Hugo is a natural catcher and, to a lesser degree, pitcher. Claude, who is three years older than Hugo, forced himself to ride a bicycle when it looked like five-year-old Hugo was going to do so first. Along the way, and seemingly because of their struggles, Claude and Jules developed incredible self-discipline and strong work ethics in all that they do. It is how they overcompensate, something Hugo, who succeeds at whatever he attempts, never needed to do. That is, until he wanted something he could not possess merely by desiring it to be so.

Music is for Hugo what water is for those with gills, what air is for those with lungs, what jet streams are for those with wings. Every instrument he picks up, he soon plays well and he went to the Akron School of the Arts at Firestone High School as an instrumentalist. Before long, however, he knew differently. Hugo is a vocalist whose voice, with time and training, has become rich, his phraseology clear and engaging, and he takes the stage with the pleasant confidence of someone who enjoys performing. I suppose it was always there, this unpolished vocal talent. But he did not stumble upon it. Another young man, someone Hugo grew up with and who was his teammate throughout eight years of Little League baseball, was the star vocalist of their class the day they entered high school. This needled Hugo’s competitive side and he worked his freshman year, his sophomore year and his junior year to surpass the other singer. Their senior year, Hugo was named king of the madrigal choir, a role that is not just musical, for together the king and queen manage the choir from booking gigs, collecting fees, arranging transportation, calling for additional rehearsals and whatever else comes up.

Great. This kid does one thing well. With most everything else, however, his modus operandi is a devil-may-care attitude. My parenting mantra is “Push, Support; Push, Support” push them to strive for what they desire in life and then support them to reach their own goals (and, sure, a few of my own). Instead for Hugo, and only for Hugo, the mantra is “Push, Push, Push, Dammit, PUSH!” Consider:

Chores: For most of their childhoods, the boys had Saturday chores that included floors (vacuum and Swiffer), bathrooms (scrub sinks, toilets and tubs, wipe mirrors and counters) and dust (wipe all furniture surfaces, lifting and dusting under objects). They rotated these three jobs each fall so they all learned how to keep house (their one-day partners can thank me). Do the job right and you can be done in less than an hour. Do the job poorly and you get to do it again. Three times over was the average for Hugo and I came to dread Saturdays.

Homework: “Hugo, how is it you had an A in math last term and an F this term?” I asked him when I received his final report card for the fifth grade. “Well,” he told me without a drop of irony, “the teacher just started assigning too much homework.”

True confession: Through grade school and middle school, I received mostly As in language arts and social studies. In math and science, Ds and Fs, but mostly Fs, were not uncommon. And I did not care. Nor did my mother. My freshman year in high school, my Latin teacher changed that. But nothing has happened to Hugo to make him determined to succeed in courses that do not specifically interest him. Yet. But the truth is in college, unlike high school, coursework is primarily in the student’s areas of interest and all required courses have multiple options.

Big Picture

Waldorf educator and author Jack Petrash once said that it is the job of parents to get children to do their work and it is the job of children to get out of as much work as they can. All kids dawdle, make excuses and cut corners when presented with chores or homework in a subject they don’t love—at least all my children do. And when a child is clever, so too are their methods. When Hugo was about six years old, I remember stopping mid-sentence in a tug-of-war talk with him. “Why am I negotiating with you?” Somewhere between the acquisition of speech and that day when I suddenly realized what was going on, Hugo had been riding me to town and back, requiring me justify my demands of him. I stopped negotiating (mostly), but he continues to ask me why.

No, Hugo is not the bean counter, he’s not the detail guy—except when he is. He prepares, over-prepares even, in all his musical endeavors. And Hugo is a leader. He responds positively to sound leadership and, particularly in his last two years of high school, he provides strong leadership, whether as section leader in marching band, leading the madrigal choir with his partner, the queen, or working with the students in the intermediate choir at the request of his choir director. He wants to start coaching Little League baseball next year when he comes home from college. Can he be self-absorbed? Sure–after all, he is a teenager. But he also easily gives his time and energy to help others, including me. He is far more willing, in fact, to rearrange his schedule when I need help with errands or picking up the little kids than Claude ever was in high school.

Supporting Hugo

I have pushed Hugo to do his best. “No matter how talented you may be nor how much a music school wants you,” I told him, “with bad grades you won’t get into a university.” I hired a tutor to help him with math and prepare for the ACT. I have paid for many years of music lessons, which he cared about so deeply that at times I stopped sending him when he was not turning in homework. It was the only consequence that felt punishing to him and got his attention.

I also support Hugo when he gets lost in his ambition and needs reeled back. Last fall he was so overcommitted, he became ill. I told him he would be better off doing less, but did not force him to quit anything. He came to that decision on his own. I went with him when he resigned from marching band, saying only what was necessary when the band directors became jaw-droppingly inappropriate. (Marching band is currently off the table for Jules, Leif and Lyra.)

Now life has handed Hugo something he wants dearly at the cost of facing what he knows are some of his weaknesses—time management and prioritizing multiple demands made of him. He will, in essence, need to excellently serve two demanding masters. It is a path most anyone would find daunting. The Buddhists (and probably all great teachers) say that when you must make an important choice, choose the harder path. The harder path will likely cause discomfort, thereby disrobing you of your delusions. The harder path is the path of transformation, choose it and you may become the person you wish to be. Avoid it and you will never know the true value of your potential or even, perhaps, who you truly are.

His Choice

“What do you think I should do?” Hugo asked, lying on the floor of my bedroom. It was the day before he had to commit to a college. We spent the afternoon together. Nobody else was home.

“It is not for me to decide, Hugo,” I said, lying on my bed. “In order to go to Eastman, you must do a dual degree, which means by default you’ll be overscheduled. You’ll either learn to manage your time and prioritize your work or you will flunk out, probably in your freshman year.”

“Yeah, I know.”

That same day, Hugo talked to four Eastman vocal performance majors who are in the dual-degree program. They all said it was hard but worth it. The reason Hugo put down a BA on his application is because I have always told the boys to get BAs and not BFAs because a liberal arts undergraduate degree is a buffet of learning and an opportunity that comes only once. Graduate school is the time for specializing and professional degrees. And Hugo, like Claude (and me), enjoys history, art and foreign language. He also loves chemistry.

“Mama?” Hugo called as he walked down the hallway first thing the next morning. He walked into my bedroom still in his bathrobe, a cup of coffee in his hand. It was May 1, national college commitment day. “I’ve decided I’d regret it the rest of my life if I didn’t go to Eastman.”

“Ok. Call the admissions director at Eastman and let her know. I’ll send in your deposit.”

Thrilled and scared in equal measure, and also relieved to have the college admission odyssey behind him, he chose well.




Where There Is Love

“I don’t buy cartoons for Valentine’s, you know that,” I said, standing in the kitchen. Hugo snatched up my hands in his and lifted them up as though he were going to kiss my fingers. Instead, he began running in place, giving my hands little squeezes to punctuate his points.

“No, but wait, wait, The Book of Life is both a love story and a musical. And…it’s really, really good, and you loved it too!” he said in the little-kid voice he uses when he wants something from me. “Please, please, please? Oh, and, uh, guess who’s never seen it? Go ahead, guess!”

“Oh, that poor girl,” I said knowing exactly whom he meant, “What has she seen? Anything?”

“Nope, nothing important. Not until me.”

Hugo, who might categorize such things with different criteria, is in his first serious relationship. Soon after he and his young lady became an item last fall, Hugo started steadily showing her all his favorite movies, many of them past Valentine’s gifts, including Across the Universe, Seven Brides for Seven Brothers, and last year’s mold-breaker (because it’s not a musical but, oh, so wonderful), About Time.

I took Hugo’s argument under serious consideration, as I have in the past, but perhaps more so this year. For next year, with any luck, Hugo will not be here; he will be off at college training his already lovely baritone to perform on professional stages. Yes, our Valentine’s tradition of giving the kids a DVD of a (usually classic Hollywood) musical will continue and, as has been the case with his older brother, Claude, I am sure Hugo will return home each year and view the latest love story. But it’s different when they are living mostly away at school and this one, Hugo, particularly needs to go to a college somewhere far enough away that he can’t pop over and do his laundry on the weekends. Or beg me to do it for him.

Time Turns

IMG_1955But it is not only Hugo who will transition this year. Max and I try to find ways to bind our two little children’s experiences with those of the big boys, which isn’t always easy given the nine-year gap between Jules, the third child and Leif, the fourth. That is why we decided, among other reasons, to send Leif to the Waldorf school when he was three (and had finally potty trained), the earliest the school accepts preschoolers. For two years, Leif and Jules have been schoolmates, sharing the same rituals and traditions, including making Valentines for all their classmates and teachers.

Jules was six months old when I first enrolled Claude and Hugo at the Waldorf school in January of 2001 and we began making the 70-mile round trip drive from our home in downtown Cleveland to the school, doing so for three school years before moving to Akron. Rather than drive 140 miles each day by going home and returning, I stayed in Akron most days, often volunteering at the school. With Jules in a baby backpack, I helped prepare and serve the once-a-week hot lunch. When he was older and could walk and follow instructions, toddler Jules was my assistant, passing out napkins and silverware to the “big kids” in the preschool/kindergarten class.

At our Waldorf school the students stay with the same teacher from grades one through eight. Now in the eighth grade, Jules and all his classmates have been together since kindergarten, the only exception being a child who joined them at the beginning of first grade. Next year, as we do not have a Waldorf high school, these kids will enroll in at least five different schools with only one child possibly joining Jules at Firestone High School. Rather than making his Valentines as he has always done, this year Jules bought a box of notecards. He wanted to write something to each of his classmates because Jules has recognized, somewhat suddenly with this sweet holiday, that a large part of his childhood, really his entire life thus far, is formally ending.

Knowing When Love Is Real

There I was, all last fall I telling Hugo, Research schools and apply now. I cajoled him, Just think of all the cool places you could go next year! I explained ad infinitum the benefits, If you start applying now we can have this all done by winter break! And I threatened punishment if he did not apply to some freaking colleges already, with absolutely no results. Then, in late November, his vocal coach told him to apply to the Eastman School of Music. For those of you who don’t know, like me until a few months ago, the Eastman School of Music is on the same level as music schools such as Oberlin, Indiana University, and Juilliard; it’s a “reach” school. Yet once some other, non-related, adult told Hugo to apply to this vaunted college, he was like, “Oh, sure, no problem, I’ll get right on that.” Thanksgiving weekend, while the rest of us were with Grandma and Grandpa in northern Michigan, Hugo stayed home and recorded a DVD with the help of his vocal instructor, filled out the application, wrote the essays and sent it all off to Eastman. A month later, we learned he had passed the pre-screening and was invited to audition. And somehow this also inspired Hugo to go ahead and apply to five more schools over the holiday break. Note to self: This boy always pulls important stuff out of his butt last minute. Your adrenal glands will thank you for not worrying next time he procrastinates.

I drove Hugo to Rochester the night before the audition in the midst of a severe snowstorm. With much of Interstate-90 down to one lane, I stayed behind semi-trucks when I could because, in the rapidly accumulating snow, they laid down a set of tire tracks I could follow. What should have been a four-hour drive took more than six even though we did not stop once until we arrived at our hotel. In the quiet disorder of the unplowed parking lot, the cars looked tumbled about as though tossed like fistfuls of dice. I stepped out of the driver’s seat of our car and when I pushed on my spine and twisted, it sounded like someone opening a tent’s heavy-gauge zipper.

“Look,” I told Hugo while we were still driving through Pennsylvania, “It’s a long shot, both getting into Eastman and getting the money we’d need. But here’s the thing, it’s your first audition, so you can tell the rest of the schools that you auditioned at Eastman and they’ll know that meant you made it through the pre-screening. And besides, it’s good practice auditioning at a place like that.”

The next morning, the drive to the audition was as dismal as the night before. Snow still fell heavily and we were running late. Two minutes after I pulled onto the freeway outer belt surrounding Rochester, a cop pulled me over. And gave me a ticket. The Eastman School of Music fully occupies one city block in downtown Rochester. I pulled up to the main entrance and Hugo jumped out of the car. The moment he walked into the auditorium, he told me later, the dean of the school began speaking. By the time I had parked the car, walked over and found Hugo, the dean was gone, replaced on stage by a jazz quartet. When they stopped playing, the applicants were separated from their parents.

When did we each first feel it? I can’t say. Maybe immediately. Certainly when we met for coffee an hour after he had left the auditorium with the other students. Eastman is the place for Hugo. Nowhere else have I ever seen this boy—the one who daily pounded on the window of his daycare while sobbing when I dropped him off, who was horribly misfit in his Waldorf class only to feel abandoned when he transferred to our city’s public middle school for the arts and who eagerly wants to be done with high school—completely in his element. And although he was giddy, he remained centered, if not surprisingly relaxed, when his ability to read music was tested and faculty members interviewed him. More excited than nervous, Hugo took me with him to warm up in a small soundproof room with a piano. I rubbed his neck and shoulders and listened to him go through the three pieces he’d prepared. Then we waited in the green room.

“Can I see him perform?” I asked a graduate student after Hugo had been led onstage.

“No, but you can hear him through the crack between those doors,” he told me, pointing to a set of doors that were an exit from the first row of the auditorium. I pressed my ear to the crack only to jump back when the woman who had introduced Hugo pushed the door open on her way back to the green room. And for a brief moment, seconds only, I saw Hugo onstage, smiling and singing as if there was nothing he would rather be doing, which, on any day, there isn’t. How did he do? If he does not get into Eastman, then it was not meant to be for there is nothing he could have done better at any moment that day.

And This Year’s Movie Is…

Each year before purchasing my Valentine movie for the boys, I check for a film I love so much I have (without their knowledge) never let them see the more famous remake. And while I have a few, this film stars one of my all-time favorite actresses, Irene Dunne. She of crackling wit with Cary Grant in the films The Awful Truth and My Favorite Wife, both of which are said to have been largely improvised. Not a comedy, however, the movie I have sought for years, with no luck, as it remained unavailable on video or DVD, is the epic musical, Show Boat.

poster-show-boat-1936_01-1A success on Broadway, the Kern and Hammerstein musical boldly deals with issues of race, who can legally marry, and single-motherhood and is as timely today as when it was released in 1936. Reviving the role she played on Broadway, Helen Morgan, with her dusky voice, plays the “passing as white,” mixed-race star of the show boat. Morgan’s own life was no less tragic than that of her most memorable role and she died of cirrhosis five years after the film was released. But if that is not enough to invite anyone to watch this early film version of Show Boat, the chance to listen to actor Paul Robeson sing “Ol’ Man River” should be enough. Unfortunately, for a number of reasons, including Paul Robeson being blacklisted for his affiliation with communism, the original Show Boat was entirely unavailable from 1940 until 1983. I have only seen it twice myself at special showings in repertory theaters, the last time being many years ago. But with love comes faith and as I again looked up this film last week on Amazon, I hooted with delight to find it is now available on DVD. I ordered it immediately.

Not only to please Hugo, my next fledgling, I also ordered The Book of Life for even though this Guillermo del Toro production is a cartoon, like last year’s film, it is as much a movie about the love of family, friends, and place as it is about lovers.

Now, please, go find someone to hug. Or watch movies. Or both. Happy Valentine’s Day!